The Singles Jukebox

A little bit of nontroversy…

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[6.00]

Micha Cavaseno: Whenever I explain to REAL RAP FANS that I fuck with K Camp, they look at me in confusion. But listen, he’s made two hyper–legit bangeurs, had the best Young Thug rip-off to date not involving G-Dragon, made a motivational anthem out of something that sounds like it sampled 5 Man Acoustical Jam, and made an acid-house/trap hybrid monster with the nephew of Arthur Lee. He has accomplished more in a few years artistically than Big K.R.I.T. ver will. Does he have much to do with it besides his drastically neutral and void vocal presence? Not really, he just happened onto yet another bizarre beat, courtesy of Big Fruit. But some people deserve to be rewarded just for being the guy who shows you a good time.
[6]

Brad Shoup: Bad lover, totally competent pop-rapper. The track’s practically mute: spare hi-hat and a slithering four-note synth line. This thing’ll last a month in the strip club, tops.
[6]

Crystal Leww: I like K Camp a lot, especially for his ability to create anthems that sound great to yell and shout and drive to, but “Lil Bit” is easily the worst of his singles, practically faded away and ready for a radio station change by the time that you pull out of the driveway. K Camp is not a technician; he relies on the hooks to make him compelling. When that doesn’t stick, you’re left with empty, boring, repetitive beats.
[4]

Edward Okulicz: Being a bit fucked up and a bit lecherous might be more or less a zero in terms of degree of difficulty, but K Camp does it well, and with that sparse, woozy production, it’s definitely attractively set.
[7]

Anthony Easton: I like the slight, quite lovely instrumental coda here, and I like how this goes underwater codeine slow, almost to a drawl. 
[7]

Ramzi Awn: K Camp had me at “Jar full of weed, baby I got plenty.” Simple as it is, “Lil Bit” finds its groove in the right places.  
[6]