Luke Combs – Even Though I’m Leaving
stop, don’t, come back…
[Video]
[4.83]
[6]
Joshua Minsoo Kim: Initially thought this was gonna be a melancholy song about a dying father, but it turns out to be considerably less moving. It traces the fear a child has when a parent isn’t around them, and links this to the fear that same child has when he grows up and goes to war? Give me a break.
[3]
Oliver Maier: Trots along pleasantly, uninterestingly. Ostensibly a tender ode to the bond between a father and his son but still as arena-ready as anything else in Combs’ arsenal. +1 for the mandolin, more vivid than any of his vocal delivery or storytelling.
[5]
Alfred Soto: Ken Burns’ documentary served as reminder that audiences have patience for mild-voiced crooners whose nods toward their rural roots extend no further than mandolin solos. As warm as a roaring fire in December, as comfortable as a boring neighbor, Luke Combs would like you to know that he can do this as long as he’s alive.
[6]
Jacob Sujin Kuppermann: Luke Combs keeps making the least bad versions of bad concepts. He manages to make the conceit here — the lingering feelings and memories of those who have left that we can’t detach from our experiences — as un-creepy as possible (except for the sleep line), and even throws in a nifty little acoustic solo. Yet it still doesn’t move the needle, and the move to daddy issues schlock on the last verse is thoroughly unconvincing.
[5]
Hazel Southwell: Bold of some country fella to do a daddy culture anthem. Unfortunately, it does not slap.
[4]
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