[2] left feet…

[Video]
[2.86]

Will Adams: Remember DNCE? They’re back! In inoffensive funk-pop form! Oh, I guess that’s the same form they were in before. Never mind.
[4]

John S. Quinn-Puerta: This feels engineered to piss me off, its stuttering, rickety pastiche grating even as it tries for broad satisfaction. Overstuffed and bland, trying too much and saying nothing at all, it’s frankly painful. 
[1]

Oliver Maier: If collaborating with DNCE is what it takes to distract Kygo from making another trop-house remix of a song by a late diva then ethically speaking this is a [10]. Musically it’s subpar in a tolerable way, Clifford Jonas or whichever one it is trying to schmooze himself backstage at the Harry Styles show.
[4]

Ian Mathers: Kygo continues to be invisible to me on these tracks, as opposed to whoever is “ft”. I know it’s supposed to be “dance,” but trying to pronounce the “dn” sound really comes out a lot closer to “dunce”. Anyway,
[4]

Katherine St Asaph: “These dancing feet don’t cry to the rhythm, they cry for you.” Does anyone have a contact at Wikifeet who can tell me what the fuck this even means? (note: do not actually put me in contact with wikifeet)
[4]

Ady Thapliyal: I remember my third grade teacher putting this on; the story was charming even as the plot dragged, and I got really scared when the main penguin gets stuck at SeaWorld.
[2]

Alfred Soto: The horn sample is the chime at midnight.
[1]